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It might even make it more difficult for the viewer to internalize the content of the video itself.īut neither the argument for the jump cut based on the upholding of a fictionalized reality, nor the practical advantages of the editing technique ever actually acknowledge what the jump cut can contribute to media studies and criticism. Even if you could create multiple shot angles inside such a space, would it even be worth it to do so? It would cost more, take more time and would most likely not look good. Also, the jump cut allows for creators to break up the recording process into multiple clips, to cover up flubs and mistakes, and to condense the duration of the video itself ensuring a tighter, less expensive, and easier way to make videos. Having multiple cameras running simultaneously is prohibitively expensive for several content producers. Most vlog creators record content inside a small single room, which doesn’t easily lend itself to repositioning cameras in that same space for multiple camera angles. One could also argue for the jump cut’s dominance in Youtube media based on the efficiency, cost-effectiveness, and ease of the jump cut itself. However, vlogs and video essays are nonfiction, so they’re not burdened by the same need to uphold reality. The jarring effect of the jump cut undermines the illusion of reality that filmmakers attempt to grant to the narrative it brings the audience out of the story. That course will help you get there very fast.I could justify my simultaneous dislike for the jump cut’s presence in films and my admiration for its use in vlogs because the former tend to be fictional narratives, while the latter is almost universally nonfiction. It does work differently in some ways from other NLE’s mostly due to the magnetic timeline, but once you have figured that out properly, you will see that that way of working is actually faster.

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He did an amazing job showing how efficient editing in Final Cut Pro can be if you know how to use it properly.

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If you are interested in “seriously” using Final Cut Pro for professional editing, check out our MZed course “Speed Editing in Final Cut Pro” by Dave Maze (David Altizer).

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It would have been impossible to use a Mac from 2015 to edit on Premiere efficiently. Final Cut Pro “just works” for me, and I was even able to edit 4K video on a 2015 iMac which I only recently replaced with an M2 Max MacBook Pro (and now it flies, obviously). I find it much faster on any Mac system than Premiere, and much less buggy, and I still need to wrap around using DaVinci Resolve for full-scale non-linear editing. Personally, I use Final Cut Pro for most edits that I do on my own. Image credit: Apple How to edit very fast with Final Cut Pro For a list of recent enhancements in Final Cut Pro, refer to What’s New in Final Cut Pro. Get complete step-by-step how-to instructions and information on all features in Final Cut Pro.

Improves reliability when retiming a clip with the Scene Removal Mask applied.Resolves an issue where the Voice Isolation Amount slider would snap to 0% when trying to set a value less than 7%.

Improves waveform redrawing on expanded audio components when adjusting volume with the Touch Bar.Fixes an issue where an Audio Units effect could have incorrect values when importing using FCPXML.Addresses an issue where audio effects would not be reset during playback.Then make sure to back up your current version of the Final Cut Pro application and your Final Cut Pro libraries.įinal Cut Pro 10.6.7 includes the following bug fixes: What’s new in Final Cut Pro 10.6.7īefore installing a Final Cut Pro update, verify that your system still meets Final Cut Pro system requirements.

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The update to Final Cut Pro 10.6.7 is available through Apple’s “Software Update” routines built into macOS, as usual with any Apple software updates. This is just a small update, but it addresses various issues that users have been experiencing with the prior version of Final Cut Pro.

Here are the changes in Final Cut Pro 10.6.7.